Reconnect musicians with their natural mechanisms

‘For years, I had my own neck and back pain that I took as an inevitable part of the profession. My perspective changed by luck in the mid-2000s, when I had the fortune to meet a teacher, Joachim Schiefer, who showed me that playing with pain was not only unnecessary, but even detrimental to the desired outcomes. Joachim was teaching Dispokinesis, a biomechanical retraining guide for musicians created by the Dutch physiotherapist and musician, Gerrit Onne Van der Klashorst. The principles and exercises of Dispokinesis not only helped unwind years of accumulated tension, but also connected the dots to the easiest, most natural way to produce sound on my instrument. I gradually became freed from pain, and discovered more endurance, accuracy, and enjoyment at the instrument than ever.’

Julia completed the Dispokinesis teacher’s training at the Gesellschaft für Dispokinesis nach G.O. van der Klashorstin Essen, Germany, and since then, has given Dispokinesis lessons and workshops to countless colleagues and students in Europe and North America, helping them also connect the dots towards an easy, natural way to make music. Her work has won praise of musicians at the Concertgebouw Orchestra, as well as from internationally-famed artists such as Myung-Whun Chung.

To schedule in a Dispokinesis consultation, please contact me.

Testimonials

Maestro Myung-Whun Chung after a Dispokinesis session in May 2019.

Laurianne Chenais, principal harp Noord Nederlands Orkest, former academist Concertgebouw Orchestra. I worked with Laurianne in Dispokinesis during her year as an academist with the Concertgebouw Orchestra, and here I asked her: ‘Do you think Dispokinesis should be offered to conservatory students?’